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c. 1445 – May 17, 1510. Italian painter.

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Charles-Joseph Natoire
Portrait of Louis Dauphin of France with a Plan of the Siege of Tournai

ID: 78717

Charles-Joseph Natoire Portrait of Louis Dauphin of France with a Plan of the Siege of Tournai
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Charles-Joseph Natoire Portrait of Louis Dauphin of France with a Plan of the Siege of Tournai


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Charles-Joseph Natoire

(3 March 1700 - 23 August 1777) was a French painter in the Rococo manner, a pupil of François Lemoyne and director of the French Academy in Rome, 1751-1775. Considered during his lifetime the equal of François Boucher, he played a prominent role in the artistic life of France. He is remembered above all for the series of the History of Psyche for Germain Boffrand's oval salon de la Princesse in the Hôtel de Soubise, Paris, and for the tapestry cartoons for the series of the History of Don Quixote, woven at the Beauvais tapestry manufacture, most of which are at the Château de Compiegne.   Related Paintings of Charles-Joseph Natoire :. | Le Triomphe d'Amphitrite. | Portrait of Louis Dauphin of France with a Plan of the Siege of Tournai | Eine junge Frau mit Rosen | Eine junge Frau mit Rosen | Portrait of French bishop and theologian Jean-Joseph Languet de Gergy |
Related Artists:
CIMA da Conegliano
Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
David Martin
painted Portrait of Elizabeth Rennie, Viscountess Melville in 1750-1847
Fabio Fabbi
1861-1946






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